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12. WRITING FOR THE SCREEN : GRAPHS, HEADERS AND CAPTIONS Computer graphics are used more and more in newscasts and has become its own genre. For on-set anchoring or during a sequence in a package, the journalist has a visual and synthetic support to deliver heavy information, such as figures. Appearing on the screen, headers and captions bring additional info (name of the interviewees, times, dates). Their form, precise and concise, helps reading. COMPUTER GRAPHICS : SOME ADVICE Computer generated tables, graphs and drawings tell more than linear commentary. These summaries seen at a glance allow the journalist to give out information more rapidly. There are some rules you should respect though : C omplete tables from official sources. When using preexisting tables, the journalist must systematically mention the sources of the data and, if it comes from a poll, the sample and error margin. Official sources often provide captions for titles : Birthrate

11. MANAGING THE AUDIO In the broadcasting language, audio is often reduced to the commentary or the words of the interviewee. These voices are useful to get the information through, but they shouldn’t make you forget how important direct audio, or ambient sound is. It gives life to the images and allows the viewer to truly get into the package. Between loud music and radio silence, there’s a whole rang of sounds that give depth to the news package.   LIVE AUDIO Live audio or ambient/wild noise is the “signature” of the field package, which is supposed to capture a snapshot of real life, images and audio alike. If the image shows a smith dipping iron in a bucket, you should hear the noise of white-hot iron getting in contact with water. In many packages, the audio is stand-alone information. It helps the viewer see how “violent the demonstrations were”, to hear “the joy of the winners”, some “noise pollution” people living near a highway are complaining abou

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